In reality this view is obscured by trees. The towers of the north transept would therefore not be visible without the judicious application of 'Artistic Licence'. The Cathedral on a glittering winters day as viewed from The College The ancient medieval arched entrance to the College an area behind the Cathedral which is the home of the clergy and the Chorister School. The staircase to the Cathedral Chapter Office can just be made out in the shadows of the passage in the centre of view which also leads to the Cathedral workshops. Part of the 2014 Durham Cathedral Exhibition. This the Second of the Villa Cimbrone paintings depicts the Temple of Ceres leading to the Belvedere or so called Terrace of Infinity which has magnificent views of the Amalfi coast. A homàge to Pieter Bruegel the Elder's The Wedding Feast, this painting is loosely based upon the National Trust's Stourhead Estate in Wiltshire. I enjoy replicating the pattern of shadows in strong sunlight. The medieval rose window as seen from the Bailey was installed by the Architect James Wyatt in the 18th century ostensibly to replace an original 13th century example. Looking up as I always do when walking around a great city, this otherwise ignored facade captured my imagination and became one of two shortlisted in the 2016 Sunday Times Watercolour Competition. This folly once belonged to Polish born 'Count' Joseph Boruwlaski (1739-1837) a dwarf musician who entertained much of european aristocracy in his lifetime ending his days in Durham City and being buried in the Cathedral. A life size statue of him and various personal effects are kept in The Town Hall. This pine wood forms the backdrop to the artist's garden. Gondola stations adjacent to the Piazza San Marco, rarely observed without the tourist hoardes. The entrance to The Castle under a fresh covering of snow This beautifully lit jug of sunflowers was sitting on the metal table depicted in a recent Owengate cafe painting. Although a departure from my normal subject material, the painting process gave great pleasure. And despite the obvious allure of the flowers themselves, my favourite passages are the rusty ends to the metalwork of the garden chairs. This giant water wheel is part of the Killhope Lead Mining Museum located in the North Pennines area of County Durham. At one time in the late 19th century, the mine was one of the most productive in Britain. Little did my patron realise when commissioning the painting, that in another life, I was responsible for designing and overseeing the construction of the museum's visitor centre.

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

A scene reminiscent of Jan Bruegel's famous Hunters in The Snow. One of my all time favourite paintings.

Durham Cathedral, view looking over South Street
Watercolour
Size: 435mm x 290mm
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This pine wood forms the backdrop to the artist's garden.

Pine Wood After Snow, Castle Eden Dene.
watercolour
Size:
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