This interesting bay window faces onto Palace Green.
This distressed facade adds to the charm of one of the many palazzios to be found on the back waters of Venice.
The entrance to the castle on a bright autumn afternoon. The University Library had a major refit before exhibiting The Lindisfarne Gospels to great public acclaim in 2013.
We came across this famous North Norfolk structure whilst laying the ground for a commissioned painting of the Anglican Shrine of Our Lady of Walsingham in 2017. However the dramatic sky-scape was inspired by a previous visit, whilst motoring from Ely to Cromer across outherwise featureless open fenland. An apocalyptic storm was brewing some distance away across ploughed fields and I pulled over to enjoy the spectacle and take a few snaps. The billowing clouds had yet to touch the ground and a bright strip of sky formed a band across the horizon. These storms are a feature of the Norfolk landscape and I couldn't resist using what I'd seen to add drama to the Cley painting. Founded by Elizabeth the First in 1571 for the education of the clergy, the College alumni include T E Lawrence (Lawrence of Arabia) and twice British Prime Minister, Harold Wilson . The entrance to The Castle under a fresh covering of snow This church with it's Romanesque tower dating back to the 13th century, sits at the highest elevation in the village. The covered seating gives shelter and great views down the coast to Teesport to the weary traveller. My wife and I celebrated a recent wedding anniversary with a river trip to see the Thames Barrier. On our way, I was fascinated by the relationship between these two iconic structures. 

This former palace, situated on
the hill below Prague Castle, is now the
Italian Embassy.
The painting is one of two shortlisted in the 2016 Sunday Times Watercolour Competition.

The Cathedral on a glittering winters day as viewed from The College This commissioned painting was produced to commemorate the passing of a Durham man who's ashes were deposited in the river in 2019. I find the doorways on Owengate incredibly attractive especially on a fine summers day when an adjacent tree casts deep shade across the scene. So much so in fact, that this is at least the third Owengate painting to date. The metal table and chairs here set for tea, are those depicted in my homage to Van Gogh. The magnificent central tower is 218 feet in height and here set against a darkened evening winter sky.

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

The north facing Cathedral door features an exact replica of the bronze Sanctuary Knocker. The original is normally part of the Cathedral Treasures display but was part of the Royal Academy's 'Bronze' exhibition during 2012.

Durham Cathedral, Sanctuary Knocker (fire)
watercolour
Size:
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This interesting bay window faces onto Palace Green.

Bay Window to Durham University Library
Sepia watercolour over black ink.
Size: 280mm x 360mm
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