The magnificent castle and Cathedral dominate the skyline above the river on a bitterly cold winters day. The Baroque Church commonly known as Gesuiti was is said to be the work of Giovanni Battista Fattoretto, probably to a design by Domenico Rossi and was constructed on the orders of the aristocratic Manin family between 1715 and 1730. In reality this view is obscured by trees. The towers of the north transept would therefore not be visible without the judicious application of 'Artistic Licence'. I find the doorways on Owengate incredibly attractive especially on a fine summers day when an adjacent tree casts deep shade across the scene. So much so in fact, that this is at least the third Owengate painting to date. The metal table and chairs here set for tea, are those depicted in my homage to Van Gogh. Sadly this delightful 18th Century church is set to be converted into a private dwelling house. I vividly remember childhood expeditions to surreptitiously collect shiny new conkers in the church yard. The church is near to where a claw style green glass beaker dated to the 5th century AD and of Frankish origin, was unearthed from under a hedge in 1775. The area at the time was being worked upon by local landowner Rowland Burdon. The church had been built only a few years earlier and The Beaker as it became to be known, was found with it's base sticking out of the ground by an estate worker. It is held in The British Museum and is evidently the only one of it's kind to be found in England. I remember as a small child seeing young calves with noses pressed hard against the red painted slats and my dad demonstrating how they would suckle if offered fingers instead of teats. I can't remember if I was brave enough to take up the challenge, but the event stuck in my mind. I always wondered what lay behind the imposing Castle Gatehouse. And so I sneaked into the courtyard one sunny afternoon in the hope of taking a few snaps for later use. I was quickly discovered by a security guard who after a gentle reprimand, escorted me back to the gate. This the Second of the Villa Cimbrone paintings depicts the Temple of Ceres leading to the Belvedere or so called Terrace of Infinity which has magnificent views of the Amalfi coast. I cut my artistic teeth painting and drawing trees. This view of the West Towers offered a great opportunity to enjoy myself painting them lit by the dying winter sun. The magnificent early 18thc classical interior of the Great Hall, The Queen's College Oxford. This church with it's Romanesque tower dating back to the 13th century, sits at the highest elevation in the village. The covered seating gives shelter and great views down the coast to Teesport to the weary traveller. The ancient water tower is in the foreground with the arched entrance to the Choristers School behind. Opened in 1966 the Grade 1 listed structure designed by Sir Ove Arup, links the historic peninsular to Dunelm House on Old Elvet. The attic bedroom of Charles Paget Wade an extraordinary man with a passion for collecting. Let nothing perish was his motto which but hints at a life dedicated to finding and restoring beautiful objects whether common or extraordinary. He packed these into the Cotswold manor house which he bought and renovated for the purpose. From toys, Samurai armour, musical instruments to fine clocks, thousands of treasures are still exhibited just as Mr Wade intended. The ancient medieval arched entrance to the College an area behind the Cathedral which is the home of the clergy and the Chorister School. The staircase to the Cathedral Chapter Office can just be made out in the shadows of the passage in the centre of view which also leads to the Cathedral workshops. Part of the 2014 Durham Cathedral Exhibition.

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

The ancient medieval arched entrance to the College an area behind the Cathedral which is the home of the clergy and the Chorister School. Part of the 2014 Durham Cathedral Exhibition.

College Gateway Durham City.
Sepia watercolour over black ink.
Size:
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This church with it's Romanesque tower dating back to the 13th century, sits at the highest elevation in the village. The covered seating gives shelter and great views down the coast to Teesport to the weary traveller.

St Mary the Virgin Easington Village, County Durham.
Watercolour
Size: size unrecorded
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