I enjoy replicating the pattern of shadows in strong sunlight. Everything about Girona Cathedral is an inspiration, not least this glorious doorway! Located at the West end of the Cathedral, it's design is heavily influenced by Islamic architecture. The medieval rose window as seen from the Bailey was installed by the Architect James Wyatt in the 18th century ostensibly to replace an original 13th century example. This anti-room to the former palazzo, (now restaurant) was open to the street. I couldn't resist walking in to gawp at the two wonderful chinese vases on display. I was fascinated by this giant mechanism during a trip up the Thames in 2019. A homàge to Pieter Bruegel the Elder's The Wedding Feast, this painting is loosely based upon the National Trust's Stourhead Estate in Wiltshire. A fisherman mending baskets watched by his young protegè on the island of Skiathos in Greece. Used primarily as a venue for special occassions associated with Durham University and as student accommodation, it is known to students simply as Castle. This the third of the Villa Cimbrone paintings depicts a sunny hidden cloister with charming twisted columns. Membership of the Historic Houses Association does have it's benefits when you've nothing to do over a long weekend. The ancestral home of the Barnard family captured my imagination on a visit in 2017 and I could hardly wait to get it on paper once home. Short summary of Castle Keep The Chorister School is situated within The College on the East side of the Cathedral. The School celebrated it's 600th anniversary in 2016 and this painting was commissioned by the then head teacher Yvette Day to mark the event and hangs in the main hall. I've always loved the view up Owengate with The Cathedral in the distance and as such have been drawn to paint it on a number of occasions. Most observers don't even notice the tree near to the junction with North Bailey and Saddler Street but I see it as almost a curtain pulled aside to reveal the view beyond.

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

Passengers of a gondola being entertained by a singer and his accordionist.

Venetian Serenade
Watercolour
Size: 325 x 350 mm, 520 x 545 mm o/a.
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We came across this famous North Norfolk structure whilst laying the ground for a commissioned painting of the Anglican Shrine of Our Lady of Walsingham in 2017. However the dramatic sky-scape was inspired by a previous visit, whilst motoring from Ely to Cromer across outherwise featureless open fenland. An apocalyptic storm was brewing some distance away across ploughed fields and I pulled over to enjoy the spectacle and take a few snaps. The billowing clouds had yet to touch the ground and a bright strip of sky formed a band across the horizon. These storms are a feature of the Norfolk landscape and I couldn't resist using what I'd seen to add drama to the Cley painting.

Cley Windmill, North Norfolk.
Watercolour
Size: 490 x 370mm
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