This anti-room to the former palazzo, (now restaurant) was open to the street. I couldn't resist walking in to gawp at the two wonderful chinese vases on display. My wife and I came across this bistro while mooching about London early in 2019. It's stunning roof is formed in COR-TEN steel. The thin layer of rust which forms on exposure to the elements, actually protects the steel underneath. We couldn't resist stopping off for a coffee and observing locals playing chess within. It's only my second painting of a London scene, but I greatly enjoyed capturing the reflections in the windows of the surrounding buildings and the transparency of the bistro itself. This the third of the Villa Cimbrone paintings depicts a sunny hidden cloister with charming twisted columns. My wife and I have enjoyed two short breaks in Siena in recent years, attracted by the undeniably beauty of the architecture which surprises the visitor at every turn. Sheep take shelter on this coastal County Durham farm. The north facing Cathedral door features an exact replica of the bronze Sanctuary Knocker. The original is normally part of the Cathedral Treasures display but was part of the Royal Academy's 'Bronze' exhibition during 2012. A gift to a close friend to commemorate his 25 years service in the Anglican Church. My wife and I celebrated a recent wedding anniversary with a river trip to see the Thames Barrier. On our way, I was fascinated by the relationship between these two iconic structures. This beautifully lit jug of sunflowers was sitting on the metal table depicted in a recent Owengate cafe painting. Although a departure from my normal subject material, the painting process gave great pleasure. And despite the obvious allure of the flowers themselves, my favourite passages are the rusty ends to the metalwork of the garden chairs. A homàge to Pieter Bruegel the Elder's The Wedding Feast, this painting is loosely based upon the National Trust's Stourhead Estate in Wiltshire. I always wondered what lay behind the imposing Castle Gatehouse. And so I sneaked into the courtyard one sunny afternoon in the hope of taking a few snaps for later use. I was quickly discovered by a security guard who after a gentle reprimand, escorted me back to the gate. The north facing Cathedral door features an exact replica of the bronze Sanctuary Knocker. The original is normally part of the Cathedral Treasures display but was part of the Royal Academy's 'Bronze' exhibition during 2012. St Mary's Anglican Church in the former Durham mining village of Horden celebrated it's centenary on Friday 26th of April 2013. The painting was commissioned by Reverend Father Kevin Smith and the Church Council to permanently mark the event and was unveiled by the Bishops of Jarrow and Beverley. Looking up as I always do when walking around a great city, this otherwise ignored facade captured my imagination and became one of two shortlisted in the 2016 Sunday Times Watercolour Competition. The main door to the Cathedral adorned with an exact replica of the world famous medieval Sanctury Knocker Stuart was shortlisted in the 2013 Sunday Times Watercolour Competition for this painting depicting a violent storm breaking over Cromer pier Norfolk. During the storm 'day became night' and Stuart and his wife Anne were soaked through to the skin in the deluge of rain.

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

The attic bedroom of Charles Paget Wade an extraordinary man with a passion for collecting. Let nothing perish was his motto which but hints at a life dedicated to finding and restoring beautiful objects whether common or extraordinary. He packed these into the Cotswold manor house which he bought and renovated for the purpose. From toys, Samurai armour, musical instruments to fine clocks, thousands of treasures are still exhibited just as Mr Wade intended.

The Collector's Retreat, Snowshill Manor (Nat' Trust).
watercolour (overall frame size 1030 mm x 780 mm high)
Size:
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This image was taken prior to shading in the figures. Those interested in purchasing should contact Stuart for an updated image.

University Buildings on Palace Green.
Sepia watercolour over black ink.
Size: 400 x 285 mm, 560 x 485 mm o/a.
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