The medieval rose window as seen from the Bailey was installed by the Architect James Wyatt in the 18th century ostensibly to replace an original 13th century example.
The ancient medieval arched entrance to the College an area behind the Cathedral which is the home of the clergy and the Chorister School. Part of the 2014 Durham Cathedral Exhibition. I was fascinated by this giant mechanism during a trip up the Thames in 2019. Used primarily as a venue for special occassions associated with Durham University and as student accommodation, it is known to students simply as Castle.
The ancient water tower is in the foreground with the arched entrance to the Choristers School behind.
This commissioned painting was produced to commemorate the passing of a Durham man who's ashes were deposited in the river in 2019. I loved my original version of this painting so much, that I decided to give it another go in order to kick start a new series for my 2016 exhibition. The north facing Cathedral door features an exact replica of the bronze Sanctuary Knocker. The original is normally part of the Cathedral Treasures display but was part of the Royal Academy's 'Bronze' exhibition during 2012. Elvet Bridge built in 1160 by Bishop Hugh de Puiset. Part of the 2014 Durham Cathedral Exhibition. The north facing Cathedral door features an exact replica of the bronze Sanctuary Knocker. The original is normally part of the Cathedral Treasures display but was part of the Royal Academy's 'Bronze' exhibition during 2012. We came across this famous North Norfolk structure whilst laying the ground for a commissioned painting of the Anglican Shrine of Our Lady of Walsingham in 2017. However the dramatic sky-scape was inspired by a previous visit, whilst motoring from Ely to Cromer across outherwise featureless open fenland. An apocalyptic storm was brewing some distance away across ploughed fields and I pulled over to enjoy the spectacle and take a few snaps. The billowing clouds had yet to touch the ground and a bright strip of sky formed a band across the horizon. These storms are a feature of the Norfolk landscape and I couldn't resist using what I'd seen to add drama to the Cley painting. One of the jewels of Oxford, the Clarendon was designed by Nicholas Hawksmoor and built between 1711 and 1713 to house the Oxford University Press. The building lies adjacent the Sheldonian Theatre which was designed by Hawkmoor's mentor and tutor Sir Christopher Wren. One of my very rare forays into portraiture. The magnificent central tower is 218 feet in height and here set against a darkened evening winter sky.

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

This lovely church lies on the opposite bank of the River Wear to Durham Cathedral which can be viewed from this spot during winter months.

St Oswalds Durham City
Watercolour
Size: ...
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The Baroque Church commonly known as Gesuiti was is said to be the work of Giovanni Battista Fattoretto, probably to a design by Domenico Rossi and was constructed on the orders of the aristocratic Manin family between 1715 and 1730.

The Church of Santa Maria Assunta, Venice
Sepia watercolour over black ink.
Size: image size 400 x 295 mm.
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