This the Second of the Villa Cimbrone paintings depicts the Temple of Ceres leading to the Belvedere or so called Terrace of Infinity which has magnificent views of the Amalfi coast. This anti-room to the former palazzo, (now restaurant) was open to the street. I couldn't resist walking in to gawp at the two wonderful chinese vases on display. A fisherman mending baskets watched by his young protegè on the island of Skiathos in Greece. I've always loved the view up Owengate with The Cathedral in the distance and as such have been drawn to paint it on a number of occasions. Most observers don't even notice the tree near to the junction with North Bailey and Saddler Street but I see it as almost a curtain pulled aside to reveal the view beyond. I remember as a small child seeing young calves with noses pressed hard against the red painted slats and my dad demonstrating how they would suckle if offered fingers instead of teats. I can't remember if I was brave enough to take up the challenge, but the event stuck in my mind. The entrance to College Green, an area behind Durham Cathedral mostly overlooked by tourists. I wanted to paint this and the view of Elvet bridge from Prince Bishop's Car Park for ages and only their complexity put me off, though eventually I couldn't resist the challenge. This ancient water tower is situated in the College precinct between the Chorister School and former Cathedral Kitchen. This the third of the Villa Cimbrone paintings depicts a sunny hidden cloister with charming twisted columns. Saddler Street to the right of the painting at one time boasted a castelated gateways protecting the entrance to the Cathedral quarter, a remnant of which can be seen behind an obscure doorway off the main street. The most picturesque route between the centre of Historic Bath and the nearby district of Batheaston, can be enjoyed via the River Avon and this little water taxi. The main door to the Cathedral adorned with an exact replica of the world famous medieval Sanctury Knocker The north facing Cathedral door features an exact replica of the bronze Sanctuary Knocker. The original is normally part of the Cathedral Treasures display but was part of the Royal Academy's 'Bronze' exhibition during 2012. The medieval Elvet bridge built in 1160 by Bishop Hugh de Puiset. I consider this my take on Johannes Vermeer's Girl with a Pearl Earring. The north facing Cathedral door features an exact replica of the bronze Sanctuary Knocker. The original is normally part of the Cathedral Treasures display but was part of the Royal Academy's 'Bronze' exhibition during 2012.

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

This distressed facade adds to the charm of one of the many palazzios to be found on the back waters of Venice.

Palazzo on a Venetian Canal
Watercolour
Size: 373 x 490 mm, 563 x 680 mm o/a.
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Stuart was shortlisted in the 2013 Sunday Times Watercolour Competition for this painting depicting a violent storm breaking over Cromer pier Norfolk. During the storm 'day became night' and Stuart and his wife Anne were soaked through to the skin in the deluge of rain.

'And Day Became Night'
watercolour
Size:
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