Visitors linger on the snow covered green as light fades. I was fascinated by this giant mechanism during a trip up the Thames in 2019. The top of this truncated lane exits onto Palace Green. The River Wear slides slowly bye rowing club pontoons whilst wood smoke curls upwards from burning logs. This the third of the Villa Cimbrone paintings depicts a sunny hidden cloister with charming twisted columns. The Shrine in Little Walsingham North Norfolk is of global importance to the Anglican Church. Commissioned by Fr Kevin Smith, Priest Administrator in 2017, this large watercolour depicting the Shrine Church and gardens, is on permanent display and was officially unveiled at a meeting of the Shrine Guardians in April 2018. The attic bedroom of Charles Paget Wade an extraordinary man with a passion for collecting. Let nothing perish was his motto which but hints at a life dedicated to finding and restoring beautiful objects whether common or extraordinary. He packed these into the Cotswold manor house which he bought and renovated for the purpose. From toys, Samurai armour, musical instruments to fine clocks, thousands of treasures are still exhibited just as Mr Wade intended. Short summary of Castle Keep I consider this my take on Johannes Vermeer's Girl with a Pearl Earring. We came across this famous North Norfolk structure whilst laying the ground for a commissioned painting of the Anglican Shrine of Our Lady of Walsingham in 2017. However the dramatic sky-scape was inspired by a previous visit, whilst motoring from Ely to Cromer across outherwise featureless open fenland. An apocalyptic storm was brewing some distance away across ploughed fields and I pulled over to enjoy the spectacle and take a few snaps. The billowing clouds had yet to touch the ground and a bright strip of sky formed a band across the horizon. These storms are a feature of the Norfolk landscape and I couldn't resist using what I'd seen to add drama to the Cley painting. This is the wonderful view with our backs to the door of St Marti Sacosta. It gave immense pleasure to paint the ancient and somewhat crumbling stonework to the buildings either side of the steps and the people enjoying lunch at the restaurant below. The Avon water taxi stop at Batheaston Mill is a favoured spot for fly fishing. Described by the famous 18th century author Horace Walpole in a letter to George Montague, 'the Avon falling in a wide cascade' it is little changed. One of the jewels of Oxford, the Clarendon was designed by Nicholas Hawksmoor and built between 1711 and 1713 to house the Oxford University Press. The building lies adjacent the Sheldonian Theatre which was designed by Hawkmoor's mentor and tutor Sir Christopher Wren.

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

The Cathedral Central Tower can be seen behind the Church of St Mary's The Less which was founded in 1140 and was principally for the soldiers of the garrison which manned the city walls.

Durham Cathedral, St Mary's The Less
watercolour
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Elvet Bridge built in 1160 by Bishop Hugh de Puiset. Part of the 2014 Durham Cathedral Exhibition.

More Than Shadows
Sepia watercolour over black ink.
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