This beautifully lit jug of sunflowers was sitting on the metal table depicted in a recent Owengate cafe painting. Although a departure from my normal subject material, the painting process gave great pleasure. And despite the obvious allure of the flowers themselves, my favourite passages are the rusty ends to the metalwork of the garden chairs. This pine wood forms the backdrop to the artist's garden. The magnificent early 18thc classical interior of the Great Hall, The Queen's College Oxford. This giant water wheel is part of the Killhope Lead Mining Museum located in the North Pennines area of County Durham. At one time in the late 19th century, the mine was one of the most productive in Britain. Little did my patron realise when commissioning the painting, that in another life, I was responsible for designing and overseeing the construction of the museum's visitor centre. The Cathedral Central Tower can be seen behind the Church of St Mary's The Less which was founded in 1140 and was principally for the soldiers of the garrison which manned the city walls. The attic bedroom of Charles Paget Wade an extraordinary man with a passion for collecting. Let nothing perish was his motto which but hints at a life dedicated to finding and restoring beautiful objects whether common or extraordinary. He packed these into the Cotswold manor house which he bought and renovated for the purpose. From toys, Samurai armour, musical instruments to fine clocks, thousands of treasures are still exhibited just as Mr Wade intended. The entrance to College Green, an area behind Durham Cathedral mostly overlooked by tourists. Opened in 1966 the Grade 1 listed structure designed by Sir Ove Arup, links the historic peninsular to Dunelm House on Old Elvet. In reality this view is obscured by trees. The towers of the north transept would therefore not be visible without the judicious application of 'Artistic Licence'. This image was taken prior to shading in the figures. Those interested in purchasing should contact Stuart for an updated image. This anti-room to the former palazzo, (now restaurant) was open to the street. I couldn't resist walking in to gawp at the two wonderful chinese vases on display. We came across this famous North Norfolk structure whilst laying the ground for a commissioned painting of the Anglican Shrine of Our Lady of Walsingham in 2017. However the dramatic sky-scape was inspired by a previous visit, whilst motoring from Ely to Cromer across outherwise featureless open fenland. An apocalyptic storm was brewing some distance away across ploughed fields and I pulled over to enjoy the spectacle and take a few snaps. The billowing clouds had yet to touch the ground and a bright strip of sky formed a band across the horizon. These storms are a feature of the Norfolk landscape and I couldn't resist using what I'd seen to add drama to the Cley painting. The majestic Cathedral looms over visitors to the Castle The view of the Cathedral most often overlooked by tourists and visitors. Saddler Street to the right of the painting at one time boasted a castelated gateways protecting the entrance to the Cathedral quarter, a remnant of which can be seen behind an obscure doorway off the main street.

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

One of the jewels of Oxford, the Clarendon was designed by Nicholas Hawksmoor and built between 1711 and 1713 to house the Oxford University Press. The building lies adjacent the Sheldonian Theatre which was designed by Hawkmoor's mentor and tutor Sir Christopher Wren.

The Clarendon Building, Oxford
Watercolour
Size: 550 x 250mm
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Just around the corner from The Pantheon, people stream back to their accommodation as evening light fades.

A Street in Rome
Watercolour
Size: 528 x 387 mm, 718 x 577 mm o/a.
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