This the third of the Villa Cimbrone paintings depicts a sunny hidden cloister with charming twisted columns.  I've always loved the view up Owengate with The Cathedral in the distance and as such have been drawn to paint it on a number of occasions. Most observers don't even notice the tree near to the junction with North Bailey and  Saddler Street but I see it as almost a curtain pulled aside to reveal the view beyond. The ancient medieval arched entrance to The College, an area on the south side of the Cathedral which is the home of the Cathedral clergy and the Chorister School. The University Library had a major refit before exhibiting The Lindisfarne Gospels to great public acclaim in 2013.
San Giorgio Maggiore the 16th century Benedictine Basilica is viewed from one of the numerous gondola stations serving tourists visiting Piazza San Marco. The church was designed by Andrea Palladio, and built between 1566 and 1610 in the classical renaissance style. The picturesque Old Mill Hotel stands adjacent to Bathampton Toll Bridge on the River Avon 3 miles from Bath. The bridge is one of only a handfull still operational in the country. The medieval rose window as seen from the Bailey was installed by the Architect James Wyatt in the 18th century ostensibly to replace an original 13th century example.
My wife and I came across this bistro while mooching about London early in 2019. It's stunning roof is formed in COR-TEN steel. The thin layer of rust which forms on exposure to the elements, actually protects the steel underneath. We couldn't resist stopping off for a coffee and observing locals playing chess within. It's only my second painting of a London scene, but I greatly enjoyed capturing the reflections in the windows of the surrounding buildings and the transparency of the bistro itself. The Shrine in Little Walsingham North Norfolk is of global importance to the Anglican Church. Commissioned by Fr Kevin Smith, Priest Administrator in 2017, this large watercolour depicting the Shrine Church and gardens, is on permanent display and was officially unveiled at a meeting of the Shrine Guardians in April 2018. This is the wonderful view with our backs to the  door of St Marti Sacosta. It gave immense pleasure to paint the ancient and somewhat crumbling stonework to the buildings either side of the steps and the people enjoying lunch at the restaurant below. Elvet Bridge built in 1160 by Bishop Hugh de Puiset. Part of the 2014 Durham Cathedral Exhibition. 16thc Horden Hall looms over the once thriving farm buildings. Short summary of Castle Keep Short summary of Durham Cathedral

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

Everything about Girona Cathedral is an inspiration, not least this glorious doorway!

Girona Cathedral, South Doorway
Watercolour
Size: 363mm x 335mm
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This beautifully lit jug of sunflowers was sitting on the metal table depicted in a recent Owengate cafe painting. Although a departure from my normal subject material, the painting process gave great pleasure. And despite the obvious allure of the flowers themselves, my favourite passages are the rusty ends to the metalwork of the garden chairs.

In The Footsteps of Van Gogh
Watercolour
Size:
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