My wife and I have enjoyed two short breaks in Siena in recent years, attracted by the undeniably beauty of the architecture which surprises the visitor at every turn. The main door to the Cathedral adorned with an exact replica of the world famous medieval Sanctury Knocker The north facing Cathedral door features an exact replica of the bronze Sanctuary Knocker which is normally part of the Cathedral Treasures display but is currently part of the Royal Academy's 'Bronze' exhibition which will run until December 8th. This folly once belonged to Polish born 'Count' Joseph Boruwlaski (1739-1837) a dwarf musician who entertained much of european aristocracy in his lifetime ending his days in Durham City and being buried in the Cathedral. A life size statue of him and various personal effects are kept in The Town Hall. Just around the corner from The Pantheon, people stream back to their accommodation as evening light fades. The majestic Cathedral looms over visitors to the Castle A homàge to Pieter Bruegel the Elder's The Wedding Feast, this painting is loosely based upon the National Trust's Stourhead Estate in Wiltshire. The Cathedral on a glittering winters day as viewed from The College Opened in 1966 the Grade 1 listed structure designed by Sir Ove Arup, links the historic peninsular to Dunelm House on Old Elvet. Used primarily as a venue for special occassions associated with Durham University and as student accommodation, it is known to students simply as Castle. York Minster is one of the largest Gothic Cathedrals in Europe and is the seat of the Archbishop of York, the second highest office of the Church of England. Membership of the Historic Houses Association does have it's benefits when you've nothing to do over a long weekend. The ancestral home of the Barnard family captured my imagination on a visit in 2017 and I could hardly wait to get it on paper once home. We came across this famous North Norfolk structure whilst laying the ground for a commissioned painting of the Anglican Shrine of Our Lady of Walsingham in 2017. However the dramatic sky-scape was inspired by a previous visit, whilst motoring from Ely to Cromer across outherwise featureless open fenland. An apocalyptic storm was brewing some distance away across ploughed fields and I pulled over to enjoy the spectacle and take a few snaps. The billowing clouds had yet to touch the ground and a bright strip of sky formed a band across the horizon. These storms are a feature of the Norfolk landscape and I couldn't resist using what I'd seen to add drama to the Cley painting. This ancient water tower is situated in the College precinct between the Chorister School and former Cathedral Kitchen.

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

In reality this view is obscured by trees. The towers of the north transept would therefore not be visible without the judicious application of 'Artistic Licence'.

The Rose Window Durham Cathedral
Sepia watercolour over black ink.
Size: 395 x 290 mm, 610 x 495 mm o/a.
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The Baroque Church commonly known as Gesuiti was is said to be the work of Giovanni Battista Fattoretto, probably to a design by Domenico Rossi and was constructed on the orders of the aristocratic Manin family between 1715 and 1730.

The Church of Santa Maria Assunta, Venice
Sepia watercolour over black ink.
Size: image size 400 x 295 mm.
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