The top of this truncated lane exits onto Palace Green. The entrance to the castle on a bright autumn afternoon. This anti-room to the former palazzo, (now restaurant) was open to the street. I couldn't resist walking in to gawp at the two wonderful chinese vases on display. This the Second of the Villa Cimbrone paintings depicts the Temple of Ceres leading to the Belvedere or so called Terrace of Infinity which has magnificent views of the Amalfi coast. I wanted to paint this and the view of Elvet bridge from Prince Bishop's Car Park for ages and only their complexity put me off, though eventually I couldn't resist the challenge. Membership of the Historic Houses Association does have it's benefits when you've nothing to do over a long weekend. The ancestral home of the Barnard family captured my imagination on a visit in 2017 and I could hardly wait to get it on paper once home. I always wondered what lay behind the imposing Castle Gatehouse. And so I sneaked into the courtyard one sunny afternoon in the hope of taking a few snaps for later use. I was quickly discovered by a security guard who after a gentle reprimand, escorted me back to the gate. We came across this famous North Norfolk structure whilst laying the ground for a commissioned painting of the Anglican Shrine of Our Lady of Walsingham in 2017. However the dramatic sky-scape was inspired by a previous visit, whilst motoring from Ely to Cromer across outherwise featureless open fenland. An apocalyptic storm was brewing some distance away across ploughed fields and I pulled over to enjoy the spectacle and take a few snaps. The billowing clouds had yet to touch the ground and a bright strip of sky formed a band across the horizon. These storms are a feature of the Norfolk landscape and I couldn't resist using what I'd seen to add drama to the Cley painting. The north facing Cathedral door features an exact replica of the bronze Sanctuary Knocker. The original is normally part of the Cathedral Treasures display but was part of the Royal Academy's 'Bronze' exhibition during 2012. I loved my original version of this painting so much, that I decided to give it another go in order to kick start a new series for my 2016 exhibition. The Cathedral Central Tower can be seen behind the Church of St Mary's The Less which was founded in 1140 and was principally for the soldiers of the garrison which manned the city walls. I've always loved the view up Owengate with The Cathedral in the distance and as such have been drawn to paint it on a number of occasions. Most observers don't even notice the tree near to the junction with North Bailey and Saddler Street but I see it as almost a curtain pulled aside to reveal the view beyond. The view of the Cathedral most often overlooked by tourists and visitors. The ancient water tower is in the foreground with the arched entrance to the Choristers School behind. Visitors linger on the snow covered green as light fades.

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

The medieval Elvet bridge built in 1160 by Bishop Hugh de Puiset.

Elvet Bridge at dusk Durham City
watercolour
Size:
» More Info

The Basilica of St Mary of Health (Italian: Basilica di Santa Maria della Salute), commonly known as the Salute, is a minor basilica which stands on a narrow finger of land between the Grand Canal and the Bacino di San Marco making the church visible from the Piazza San Marco.The church was designed in the then fashionable baroque style by Baldassare Longhena, and construction began in 1631.The dome of the Salute was an important addition to the Venice skyline and soon became emblematic of the city, inspiring artists like Canaletto, J. M. W. Turner and John Singer Sargent.

Basilica Santa Maria Salute Venice
Sepia watercolour over black ink.
Size: image size 300 x 380 mm high
» More Info