Stunning baroque architecture meets the eye around every corner in the beautiful city of Verona. I wanted to paint this view of Elvet bridge from Prince Bishop's Car Park for ages and only it's complexity put me off, though eventually I couldn't resist the challenge. The Cathedral Central Tower can be seen behind the Church of St Mary's The Less which was founded in 1140 and was principally for the soldiers of the garrison which manned the city walls. Located at the West end of the Cathedral, it's design is heavily influenced by Islamic architecture. The north facing Cathedral door features an exact replica of the bronze Sanctuary Knocker. The original is normally part of the Cathedral Treasures display but was part of the Royal Academy's 'Bronze' exhibition during 2012. One of my very rare forays into portraiture. Membership of the Historic Houses Association does have it's benefits when you've nothing to do over a long weekend. The ancestral home of the Barnard family captured my imagination on a visit in 2017 and I could hardly wait to get it on paper once home. A gift to a close friend to commemorate his 25 years service in the Anglican Church. My wife and I came across this bistro while mooching about London early in 2019. It's stunning roof is formed in COR-TEN steel. The thin layer of rust which forms on exposure to the elements, actually protects the steel underneath. We couldn't resist stopping off for a coffee and observing locals playing chess within. It's only my second painting of a London scene, but I greatly enjoyed capturing the reflections in the windows of the surrounding buildings and the transparency of the bistro itself. This folly once belonged to Polish born 'Count' Joseph Boruwlaski (1739-1837) a dwarf musician who entertained much of european aristocracy in his lifetime ending his days in Durham City and being buried in the Cathedral. A life size statue of him and various personal effects are kept in The Town Hall. San Giorgio Maggiore the 16th century Benedictine Basilica is viewed from one of the numerous gondola stations serving tourists visiting Piazza San Marco. The church was designed by Andrea Palladio, and built between 1566 and 1610 in the classical renaissance style. Short summary of Oxford Passengers of a gondola being entertained by a singer and his accordionist.

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

Bow Lane is reputed to be the route that William the Conqueror took when leaving the city after visiting the coffin of Saint Cuthbert in Durham Cathedral. At that time it lead down to a ford across the River Wear, but now leads to Kingsgate Bridge, a superbly elegant concrete structure designed by Ove Arup and completed in 1963.

Bow Lane Durham City
Watercolour
Size: size 380 x 330mm
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The most picturesque route between the centre of Historic Bath and the nearby district of Batheaston, can be enjoyed via the River Avon and this little water taxi.

The Water Taxi
Watercolour
Size: 400mm x 300mm
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