This distressed facade adds to the charm of one of the many palazzios to be found on the back waters of Venice. The ancient medieval arched entrance to the College an area behind the Cathedral which is the home of the clergy and the Chorister School. The staircase to the Cathedral Chapter Office can just be made out in the shadows of the passage in the centre of view which also leads to the Cathedral workshops. Part of the 2014 Durham Cathedral Exhibition. This the third of the Villa Cimbrone paintings depicts a sunny hidden cloister with charming twisted columns. Crossing the river Avon, Pulteney bridge designed by Robert Adam was completed in 1773. It is one of only four bridges in the world having shops across the full span on either side of the bridge thoroughfare. The attic bedroom of Charles Paget Wade an extraordinary man with a passion for collecting. Let nothing perish was his motto which but hints at a life dedicated to finding and restoring beautiful objects whether common or extraordinary. He packed these into the Cotswold manor house which he bought and renovated for the purpose. From toys, Samurai armour, musical instruments to fine clocks, thousands of treasures are still exhibited just as Mr Wade intended. Stuart was shortlisted in the 2013 Sunday Times Watercolour Competition for this painting depicting a violent storm breaking over Cromer pier Norfolk. During the storm 'day became night' and Stuart and his wife Anne were soaked through to the skin in the deluge of rain. My wife and I came across this bistro while mooching about London early in 2019. It's stunning roof is formed in COR-TEN steel. The thin layer of rust which forms on exposure to the elements, actually protects the steel underneath. We couldn't resist stopping off for a coffee and observing locals playing chess within. It's only my second painting of a London scene, but I greatly enjoyed capturing the reflections in the windows of the surrounding buildings and the transparency of the bistro itself. Short summary of Durham Cathedral from Court Inn The Cathdral from College Green, an area behind Durham Cathedral mostly overlooked by tourists and home to the Cathedral clergy. A homàge to Pieter Bruegel the Elder's The Wedding Feast, this painting is loosely based upon the National Trust's Stourhead Estate in Wiltshire. The River Wear slides slowly bye rowing club pontoons whilst wood smoke curls upwards from burning logs. The Avon water taxi stop at Batheaston Mill is a favoured spot for fly fishing. Described by the famous 18th century author Horace Walpole in a letter to George Montague, 'the Avon falling in a wide cascade' it is little changed. The principal route to Palace Green and the Cathedral for vehicular and foot traffic. Gondola stations adjacent to the Piazza San Marco, rarely observed without the tourist hoardes.

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

This image was taken prior to shading in the figures. Those interested in purchasing should contact Stuart for an updated image.

University Buildings on Palace Green.
Sepia watercolour over black ink.
Size: 400 x 285 mm, 560 x 485 mm o/a.
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In reality this view is obscured by trees. The towers of the north transept would therefore not be visible without the judicious application of 'Artistic Licence'.

The Rose Window Durham Cathedral
Sepia watercolour over black ink.
Size: 395 x 290 mm, 610 x 495 mm o/a.
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