This giant water wheel is part of the Killhope Lead Mining Museum located in the North Pennines area of County Durham. At one time in the late 19th century, the mine was one of the most productive in Britain. Little did my patron realise when commissioning the painting, that in another life, I was responsible for designing and overseeing the construction of the museum's visitor centre. Membership of the Historic Houses Association does have it's benefits when you've nothing to do over a long weekend. The ancestral home of the Barnard family captured my imagination on a visit in 2017 and I could hardly wait to get it on paper once home. Crossing the river Avon, Pulteney bridge designed by Robert Adam was completed in 1773. It is one of only four bridges in the world having shops across the full span on either side of the bridge thoroughfare. The most picturesque route between the centre of Historic Bath and the nearby district of Batheaston, can be enjoyed via the River Avon and this little water taxi. The view of the Cathedral most often overlooked by tourists and visitors. Short summary I loved the almost abstact quality of the domes in this view. However, we certainly didn't enjoy the long and vertiginous hike from the port to see! them! In reality this view is obscured by trees. The towers of the north transept would therefore not be visible without the judicious application of 'Artistic Licence'. I wanted to paint this and the view of Elvet bridge from Prince Bishop's Car Park for ages and only their complexity put me off, though eventually I couldn't resist the challenge. The picturesque Old Mill Hotel stands adjacent to Bathampton Toll Bridge on the River Avon 3 miles from Bath. The bridge is one of only a handfull still operational in the country. This interesting bay window faces onto Palace Green. The Shrine in Little Walsingham North Norfolk is of global importance to the Anglican Church. Commissioned by Fr Kevin Smith, Priest Administrator in 2017, this large watercolour depicting the Shrine Church and gardens, is on permanent display and was officially unveiled at a meeting of the Shrine Guardians in April 2018. The ancient medieval arched entrance to the College an area behind the Cathedral which is the home of the clergy and the Chorister School. Part of the 2014 Durham Cathedral Exhibition.

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

Stuart was shortlisted in the 2013 Sunday Times Watercolour Competition for this painting depicting a violent storm breaking over Cromer pier Norfolk. During the storm 'day became night' and Stuart and his wife Anne were soaked through to the skin in the deluge of rain.

'And Day Became Night'
watercolour
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A fisherman mending baskets watched by his young protegè on the island of Skiathos in Greece.

Finishing Touches
Watercolour
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