I remember as a small child seeing young calves with noses pressed hard against the red painted slats and my dad demonstrating how they would suckle if offered fingers instead of teats. I can't remember if I was brave enough to take up the challenge, but the event stuck in my mind. The most picturesque route between the centre of Historic Bath and the nearby district of Batheaston, can be enjoyed via the River Avon and this little water taxi. Stuart was shortlisted in the 2013 Sunday Times Watercolour Competition for this painting depicting a violent storm breaking over Cromer pier Norfolk. During the storm 'day became night' and Stuart and his wife Anne were soaked through to the skin in the deluge of rain. The magnificent early 18thc classical interior of the Great Hall, The Queen's College Oxford. The ancient medieval arched entrance to The College, an area on the south side of the Cathedral which is the home of the Cathedral clergy and the Chorister School. I wanted to paint this view of Elvet bridge from Prince Bishop's Car Park for ages and only it's complexity put me off, though eventually I couldn't resist the challenge. The Cathedral Central Tower can be seen behind the Church of St Mary's The Less which was founded in 1140 and was principally for the soldiers of the garrison which manned the city walls. The magnificent central tower is 218 feet in height and here set against a darkened evening winter sky. The Shrine in Little Walsingham North Norfolk is of global importance to the Anglican Church. Commissioned by Fr Kevin Smith, Priest Administrator in 2017, this large watercolour depicting the Shrine Church and gardens, is on permanent display and was officially unveiled at a meeting of the Shrine Guardians in April 2018. This interesting bay window faces onto Palace Green. The picturesque Old Mill Hotel stands adjacent to Bathampton Toll Bridge on the River Avon 3 miles from Bath. The bridge is one of only a handfull still operational in the country. A former Cistercian Abbey near the market town of Helmsley, Rievaulx was dissolved by Henry VIII in 1538. It's picturesque ruins are now a regional tourist attraction. San Giorgio Maggiore the 16th century Benedictine Basilica is viewed from one of the numerous gondola stations serving tourists visiting Piazza San Marco. The church was designed by Andrea Palladio, and built between 1566 and 1610 in the classical renaissance style. My wife and I have enjoyed two short breaks in Siena in recent years, attracted by the undeniably beauty of the architecture which surprises the visitor at every turn.

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

Saddler Street to the right of the painting at one time boasted a castelated gateways protecting the entrance to the Cathedral quarter, a remnant of which can be seen behind an obscure doorway off the main street.

The corner of Owengate and Saddler Street, Durham City.
Watercolour
Size: 440 x 215mm
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The Baroque Church commonly known as Gesuiti was is said to be the work of Giovanni Battista Fattoretto, probably to a design by Domenico Rossi and was constructed on the orders of the aristocratic Manin family between 1715 and 1730.

The Church of Santa Maria Assunta, Venice
Sepia watercolour over black ink.
Size: image size 400 x 295 mm.
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