I loved my original version of this painting so much, that I decided to give it another go in order to kick start a new series for my 2016 exhibition. Just around the corner from The Pantheon, people stream back to their accommodation as evening light fades. This the Second of the Villa Cimbrone paintings depicts the Temple of Ceres leading to the Belvedere or so called Terrace of Infinity which has magnificent views of the Amalfi coast. The entrance to the castle on a bright autumn afternoon. The medieval rose window as seen from the Bailey was installed by the Architect James Wyatt in the 18th century ostensibly to replace an original 13th century example. Crossing the river Avon, Pulteney bridge designed by Robert Adam was completed in 1773. It is one of only four bridges in the world having shops across the full span on either side of the bridge thoroughfare. This is the wonderful view with our backs to the door of St Marti Sacosta. It gave immense pleasure to paint the ancient and somewhat crumbling stonework to the buildings either side of the steps and the people enjoying lunch at the restaurant below. I enjoy replicating the pattern of shadows in strong sunlight. St Mary's Anglican Church in the former Durham mining village of Horden celebrated it's centenary on Friday 26th of April 2013. The painting was commissioned by Reverend Father Kevin Smith and the Church Council to permanently mark the event and was unveiled by the Bishops of Jarrow and Beverley. Located at the West end of the Cathedral, it's design is heavily influenced by Islamic architecture. The Avon water taxi stop at Batheaston Mill is a favoured spot for fly fishing. Described by the famous 18th century author Horace Walpole in a letter to George Montague, 'the Avon falling in a wide cascade' it is little changed. The view of the Cathedral most often overlooked by tourists and visitors. The majestic Cathedral looms over visitors to the Castle The ancient medieval arched entrance to the College an area behind the Cathedral which is the home of the clergy and the Chorister School. The staircase to the Cathedral Chapter Office can just be made out in the shadows of the passage in the centre of view which also leads to the Cathedral workshops. Part of the 2014 Durham Cathedral Exhibition. One of my very rare forays into portraiture.

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

A meeting place for locals, tourists and bikers alike, the square which is surrounded with a pleasing mix of architectural styles, is the hub of this thriving Swaledale market town.

Richmond Market Square, North Yorkshire
Watercolour
Size: 360mm x 200mm
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The ancient medieval arched entrance to the College an area behind the Cathedral which is the home of the clergy and the Chorister School. Part of the 2014 Durham Cathedral Exhibition.

College Gateway Durham City.
Sepia watercolour over black ink.
Size:
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