The steep access on Owengate offers the visitor the first glimpse of the majestic Cathedral. The Cathedral Central Tower can be seen behind the Church of St Mary's The Less which was founded in 1140 and was principally for the soldiers of the garrison which manned the city walls. This anti-room to the former palazzo, (now restaurant) was open to the street. I couldn't resist walking in to gawp at the two wonderful chinese vases on display. Saddler Street to the right of the painting at one time boasted a castelated gateways protecting the entrance to the Cathedral quarter, a remnant of which can be seen behind an obscure doorway off the main street. Stuart was shortlisted in the 2013 Sunday Times Watercolour Competition for this painting depicting a violent storm breaking over Cromer pier Norfolk. During the storm 'day became night' and Stuart and his wife Anne were soaked through to the skin in the deluge of rain. The entrance to the castle on a bright autumn afternoon. San Giorgio Maggiore the 16th century Benedictine Basilica is viewed from one of the numerous gondola stations serving tourists visiting Piazza San Marco. The church was designed by Andrea Palladio, and built between 1566 and 1610 in the classical renaissance style. The medieval Elvet bridge built in 1160 by Bishop Hugh de Puiset. Short summary The north facing Cathedral door features an exact replica of the bronze Sanctuary Knocker. The original is normally part of the Cathedral Treasures display but was part of the Royal Academy's 'Bronze' exhibition during 2012. The entrance to College Green, an area behind Durham Cathedral mostly overlooked by tourists. Everything about Girona Cathedral is an inspiration, not least this glorious doorway! I consider this my take on Johannes Vermeer's Girl with a Pearl Earring. In reality this view is obscured by trees. The towers of the north transept would therefore not be visible without the judicious application of 'Artistic Licence'. The top of this truncated lane exits onto Palace Green. Sheep take shelter on this coastal County Durham farm.

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

In reality this view is obscured by trees. The towers of the north transept would therefore not be visible without the judicious application of 'Artistic Licence'.

The Rose Window Durham Cathedral
Sepia watercolour over black ink.
Size: 395 x 290 mm, 610 x 495 mm o/a.
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A homàge to Pieter Bruegel the Elder's The Wedding Feast, this painting is loosely based upon the National Trust's Stourhead Estate in Wiltshire.

Bruegel's Piper
Watercolour
Size: 400mm x 300mm
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