The granddaughter of a close friend. This is the wonderful view with our backs to the door of St Marti Sacosta. It gave immense pleasure to paint the ancient and somewhat crumbling stonework to the buildings either side of the steps and the people enjoying lunch at the restaurant below. Iconic view of the West towers and Cathedral entrance. My wife and I found this doorway with it's stunning portico and broken pediment while sauntering through the delightful cobbled streets of Girona. The entrance to the castle on a bright autumn afternoon. The north facing Cathedral door features an exact replica of the bronze Sanctuary Knocker. The original is normally part of the Cathedral Treasures display but was part of the Royal Academy's 'Bronze' exhibition during 2012. This distressed facade adds to the charm of one of the many palazzios to be found on the back waters of Venice. This pine wood forms the backdrop to the artist's garden. The north facing Cathedral door features an exact replica of the bronze Sanctuary Knocker. The original is normally part of the Cathedral Treasures display but was part of the Royal Academy's 'Bronze' exhibition during 2012. Short summary of Oxford Membership of the Historic Houses Association does have it's benefits when you've nothing to do over a long weekend. The ancestral home of the Barnard family captured my imagination on a visit in 2017 and I could hardly wait to get it on paper once home. The Avon water taxi stop at Batheaston Mill is a favoured spot for fly fishing. Described by the famous 18th century author Horace Walpole in a letter to George Montague, 'the Avon falling in a wide cascade' it is little changed. I find the doorways on Owengate incredibly attractive especially on a fine summers day when an adjacent tree casts deep shade across the scene. So much so in fact, that this is at least the third Owengate painting to date. The metal table and chairs here set for tea, are those depicted in my homage to Van Gogh. Just around the corner from The Pantheon, people stream back to their accommodation as evening light fades. We came across this famous North Norfolk structure whilst laying the ground for a commissioned painting of the Anglican Shrine of Our Lady of Walsingham in 2017. However the dramatic sky-scape was inspired by a previous visit, whilst motoring from Ely to Cromer across outherwise featureless open fenland. An apocalyptic storm was brewing some distance away across ploughed fields and I pulled over to enjoy the spectacle and take a few snaps. The billowing clouds had yet to touch the ground and a bright strip of sky formed a band across the horizon. These storms are a feature of the Norfolk landscape and I couldn't resist using what I'd seen to add drama to the Cley painting. The medieval Elvet bridge built in 1160 by Bishop Hugh de Puiset.

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

I enjoy replicating the pattern of shadows in strong sunlight.

Former Warehouses on the Thames
Watercolour
Size: 570mm x 385mm
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The University Library had a major refit before exhibiting The Lindisfarne Gospels to great public acclaim in 2013.

Durham University Library Entrance.
Sepia watercolour over black ink.
Size: 400 x 285 mm, 610 x 495 mm o/a.
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