Stunning baroque architecture meets the eye around every corner in the beautiful city of Verona. The view of the Cathedral most often overlooked by tourists and visitors. I remember as a small child seeing young calves with noses pressed hard against the red painted slats and my dad demonstrating how they would suckle if offered fingers instead of teats. I can't remember if I was brave enough to take up the challenge, but the event stuck in my mind. We came across this famous North Norfolk structure whilst laying the ground for a commissioned painting of the Anglican Shrine of Our Lady of Walsingham in 2017. However the dramatic sky-scape was inspired by a previous visit, whilst motoring from Ely to Cromer across outherwise featureless open fenland. An apocalyptic storm was brewing some distance away across ploughed fields and I pulled over to enjoy the spectacle and take a few snaps. The billowing clouds had yet to touch the ground and a bright strip of sky formed a band across the horizon. These storms are a feature of the Norfolk landscape and I couldn't resist using what I'd seen to add drama to the Cley painting. The ancient medieval arched entrance to the College an area behind the Cathedral which is the home of the clergy and the Chorister School. The staircase to the Cathedral Chapter Office can just be made out in the shadows of the passage in the centre of view which also leads to the Cathedral workshops. Part of the 2014 Durham Cathedral Exhibition. The Basilica of St Mary of Health (Italian: Basilica di Santa Maria della Salute), commonly known as the Salute, is a minor basilica which stands on a narrow finger of land between the Grand Canal and the Bacino di San Marco making the church visible from the Piazza San Marco.The church was designed in the then fashionable baroque style by Baldassare Longhena, and construction began in 1631.The dome of the Salute was an important addition to the Venice skyline and soon became emblematic of the city, inspiring artists like Canaletto, J. M. W. Turner and John Singer Sargent. This folly once belonged to Polish born 'Count' Joseph Boruwlaski (1739-1837) a dwarf musician who entertained much of european aristocracy in his lifetime ending his days in Durham City and being buried in the Cathedral. A life size statue of him and various personal effects are kept in The Town Hall. San Giorgio Maggiore the 16th century Benedictine Basilica is viewed from one of the numerous gondola stations serving tourists visiting Piazza San Marco. The church was designed by Andrea Palladio, and built between 1566 and 1610 in the classical renaissance style. Used primarily as a venue for special occassions associated with Durham University and as student accommodation, it is known to students simply as Castle. This commissioned painting was produced to commemorate the passing of a Durham man who's ashes were deposited in the river in 2019. The entrance to The Castle under a fresh covering of snow This the Second of the Villa Cimbrone paintings depicts the Temple of Ceres leading to the Belvedere or so called Terrace of Infinity which has magnificent views of the Amalfi coast. This church with it's Romanesque tower dating back to the 13th century, sits at the highest elevation in the village. The covered seating gives shelter and great views down the coast to Teesport to the weary traveller. Sadly this delightful 18th Century church is set to be converted into a private dwelling house. I vividly remember childhood expeditions to surreptitiously collect shiny new conkers in the church yard. The church is near to where a claw style green glass beaker dated to the 5th century AD and of Frankish origin, was unearthed from under a hedge in 1775. The area at the time was being worked upon by local landowner Rowland Burdon. The church had been built only a few years earlier and The Beaker as it became to be known, was found with it's base sticking out of the ground by an estate worker. It is held in The British Museum and is evidently the only one of it's kind to be found in England. The picturesque Old Mill Hotel stands adjacent to Bathampton Toll Bridge on the River Avon 3 miles from Bath. The bridge is one of only a handfull still operational in the country.

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

Commissioned to celebrate the retirement of a close friend, the magnificent Rose Window with Dun Cow Lane in the middle distance.

Durham Cathedral Rose Window and Dun Cow Lane
Watercolour
Size:
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San Giorgio Maggiore the 16th century Benedictine Basilica is viewed from one of the numerous gondola stations serving tourists visiting Piazza San Marco. The church was designed by Andrea Palladio, and built between 1566 and 1610 in the classical renaissance style.

The Gondola Station Venice
Sepia watercolour over black ink.
Size: image size 410 x 270 mm.
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