The magnificent early 18thc classical interior of the Great Hall, The Queen's College Oxford. The ancient water tower is in the foreground with the arched entrance to the Choristers School behind.
The Chorister School is situated within The College on the East side of the Cathedral. The School celebrated it's 600th anniversary in 2016 and this painting was commissioned by the then head teacher Yvette Day to mark the event and hangs in the main hall.
This giant water wheel is part of the Killhope Lead Mining Museum located in the North Pennines area of County Durham. At one time in the late 19th century, the mine was one of the most productive in Britain. Little did my patron realise when commissioning the painting, that in another life, I was responsible for designing and overseeing the construction of the museum's visitor centre. The University Library had a major refit before exhibiting The Lindisfarne Gospels to great public acclaim in 2013.
I wanted to paint this and the view of Elvet bridge from Prince Bishop's Car Park for ages and only their complexity put me off, though eventually I couldn't resist the challenge. This church with it's Romanesque tower dating back to the 13th century, sits at the highest elevation in the village. The covered seating gives shelter and great views down the coast to Teesport to the weary traveller. This image was taken prior to shading in the figures. Those interested in purchasing should contact Stuart for an updated image.
The medieval rose window as seen from the Bailey was installed by the Architect James Wyatt in the 18th century ostensibly to replace an original 13th century example.
Founded by Elizabeth the First in 1571 for the education of the clergy, the College alumni include T E Lawrence (Lawrence of Arabia) and twice British Prime Minister, Harold Wilson . I wanted to paint this view of Elvet bridge from Prince Bishop's Car Park for ages and only it's complexity put me off, though eventually I couldn't resist the challenge. The north facing Cathedral door features an exact replica of the bronze Sanctuary Knocker which is normally part of the Cathedral Treasures display but is currently part of the Royal Academy's 'Bronze' exhibition which will run until December 8th. Short summary I find the doorways on Owengate incredibly attractive especially on a fine summers day when an adjacent tree casts deep shade across the scene. So much so in fact, that this is at least the third Owengate painting to date. The metal table and chairs here set for tea, are those depicted in my homage to Van Gogh. Passengers of a gondola being entertained by a singer and his accordionist.
The steep access on Owengate offers the visitor the first glimpse of the majestic Cathedral.

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

Stuart was shortlisted in the 2013 Sunday Times Watercolour Competition for this painting depicting a violent storm breaking over Cromer pier Norfolk. During the storm 'day became night' and Stuart and his wife Anne were soaked through to the skin in the deluge of rain.

'And Day Became Night'
watercolour
Size:
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16thc Horden Hall looms over the once thriving farm buildings.

Horden Hall Farm, County Durham.
Watercolour
Size: 540mm x 315mm
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