I remember as a small child seeing young calves with noses pressed hard against the red painted slats and my dad demonstrating how they would suckle if offered fingers instead of teats. I can't remember if I was brave enough to take up the challenge, but the event stuck in my mind. The magnificent castle and Cathedral dominate the skyline above the river on a bitterly cold winters day. The north facing Cathedral door features an exact replica of the bronze Sanctuary Knocker. The original is normally part of the Cathedral Treasures display but was part of the Royal Academy's 'Bronze' exhibition during 2012. This distressed facade adds to the charm of one of the many palazzios to be found on the back waters of Venice. One of the jewels of Oxford, the Clarendon was designed by Nicholas Hawksmoor and built between 1711 and 1713 to house the Oxford University Press. The building lies adjacent the Sheldonian Theatre which was designed by Hawkmoor's mentor and tutor Sir Christopher Wren. The magnificent central tower is 218 feet in height and here set against a darkened evening winter sky. The steep access on Owengate offers the visitor the first glimpse of the majestic Cathedral. Stuart was shortlisted in the 2013 Sunday Times Watercolour Competition for this painting depicting a violent storm breaking over Cromer pier Norfolk. During the storm 'day became night' and Stuart and his wife Anne were soaked through to the skin in the deluge of rain. The top of this truncated lane exits onto Palace Green. Short summary I loved the almost abstact quality of the domes in this view. However, we certainly didn't enjoy the long and vertiginous hike from the port to see! them! San Giorgio Maggiore the 16th century Benedictine Basilica is viewed from one of the numerous gondola stations serving tourists visiting Piazza San Marco. The church was designed by Andrea Palladio, and built between 1566 and 1610 in the classical renaissance style. The magnificent early 18thc classical interior of the Great Hall, The Queen's College Oxford. The majestic Cathedral looms over visitors to the Castle The medieval rose window as seen from the Bailey was installed by the Architect James Wyatt in the 18th century ostensibly to replace an original 13th century example.

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

We came across this famous North Norfolk structure whilst laying the ground for a commissioned painting of the Anglican Shrine of Our Lady of Walsingham in 2017. However the dramatic sky-scape was inspired by a previous visit, whilst motoring from Ely to Cromer across outherwise featureless open fenland. An apocalyptic storm was brewing some distance away across ploughed fields and I pulled over to enjoy the spectacle and take a few snaps. The billowing clouds had yet to touch the ground and a bright strip of sky formed a band across the horizon. These storms are a feature of the Norfolk landscape and I couldn't resist using what I'd seen to add drama to the Cley painting.

Cley Windmill, North Norfolk.
Watercolour
Size: 490 x 370mm
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Elvet Bridge built in 1160 by Bishop Hugh de Puiset. Part of the 2014 Durham Cathedral Exhibition.

More Than Shadows
Sepia watercolour over black ink.
Size:
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