The medieval Elvet bridge built in 1160 by Bishop Hugh de Puiset. I loved my original version of this painting so much, that I decided to give it another go in order to kick start a new series for my 2016 exhibition. One of my very rare forays into portraiture. I find the doorways on Owengate incredibly attractive especially on a fine summers day when an adjacent tree casts deep shade across the scene. So much so in fact, that this is at least the third Owengate painting to date. The metal table and chairs here set for tea, are those depicted in my homage to Van Gogh. The main door to the Cathedral adorned with an exact replica of the world famous medieval Sanctury Knocker This image was taken prior to shading in the figures. Those interested in purchasing should contact Stuart for an updated image. My wife and I came across this bistro while mooching about London early in 2019. It's stunning roof is formed in COR-TEN steel. The thin layer of rust which forms on exposure to the elements, actually protects the steel underneath. We couldn't resist stopping off for a coffee and observing locals playing chess within. It's only my second painting of a London scene, but I greatly enjoyed capturing the reflections in the windows of the surrounding buildings and the transparency of the bistro itself. Elvet Bridge built in 1160 by Bishop Hugh de Puiset. Part of the 2014 Durham Cathedral Exhibition. This Venetian church which lies in the cestiere Cannaregio was founded in the 10th century. Part of the 2014 Durham Cathedral exhibition. I always wondered what lay behind the imposing Castle Gatehouse. And so I sneaked into the courtyard one sunny afternoon in the hope of taking a few snaps for later use. I was quickly discovered by a security guard who after a gentle reprimand, escorted me back to the gate. This folly once belonged to Polish born 'Count' Joseph Boruwlaski (1739-1837) a dwarf musician who entertained much of european aristocracy in his lifetime ending his days in Durham City and being buried in the Cathedral. A life size statue of him and various personal effects are kept in The Town Hall. Short summary of Durham Cathedral from Court Inn The entrance to College Green, an area behind Durham Cathedral mostly overlooked by tourists. Saddler Street to the right of the painting at one time boasted a castelated gateways protecting the entrance to the Cathedral quarter, a remnant of which can be seen behind an obscure doorway off the main street.

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

York Minster is one of the largest Gothic Cathedrals in Europe and is the seat of the Archbishop of York, the second highest office of the Church of England.

The West Front of York Minster
Watercolour
Size:
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Crossing the river Avon, Pulteney bridge designed by Robert Adam was completed in 1773. It is one of only four bridges in the world having shops across the full span on either side of the bridge thoroughfare.

Pulteney Bridge Bath
Sepia watercolour over black ink.
Size: image size 430 x 340 mm.
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