Saddler Street to the right of the painting at one time boasted a castelated gateways protecting the entrance to the Cathedral quarter, a remnant of which can be seen behind an obscure doorway off the main street. A meeting place for locals, tourists and bikers alike, the square which is surrounded with a pleasing mix of architectural styles, is the hub of this thriving Swaledale market town. The north facing Cathedral door features an exact replica of the bronze Sanctuary Knocker. The original is normally part of the Cathedral Treasures display but was part of the Royal Academy's 'Bronze' exhibition during 2012. A Cornish fishing village, Mevagissey now derives most of it's income from tourism. The brightly coloured vessels in it's harbour, the narrow winding streets and the stunning coastline being the obvious attractions. I wanted to paint this view of Elvet bridge from Prince Bishop's Car Park for ages and only it's complexity put me off, though eventually I couldn't resist the challenge. This image was taken prior to shading in the figures. Those interested in purchasing should contact Stuart for an updated image. My wife and I have enjoyed two short breaks in Siena in recent years, attracted by the undeniably beauty of the architecture which surprises the visitor at every turn. Iconic view of the West towers and Cathedral entrance. The medieval rose window as seen from the Bailey was installed by the Architect James Wyatt in the 18th century ostensibly to replace an original 13th century example. This beautifully lit jug of sunflowers was sitting on the metal table depicted in a recent Owengate cafe painting. Although a departure from my normal subject material, the painting process gave great pleasure. And despite the obvious allure of the flowers themselves, my favourite passages are the rusty ends to the metalwork of the garden chairs. San Giorgio Maggiore the 16th century Benedictine Basilica is viewed from one of the numerous gondola stations serving tourists visiting Piazza San Marco. The church was designed by Andrea Palladio, and built between 1566 and 1610 in the classical renaissance style. This interesting bay window faces onto Palace Green. I was fascinated by this giant mechanism during a trip up the Thames in 2019. Short summary The view of the Cathedral most often overlooked by tourists and visitors.

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

Saddler Street to the right of the painting at one time boasted a castelated gateways protecting the entrance to the Cathedral quarter, a remnant of which can be seen behind an obscure doorway off the main street.

The corner of Owengate and Saddler Street, Durham City.
Watercolour
Size: 440 x 215mm
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The magnificent castle and Cathedral dominate the skyline above the river on a bitterly cold winters day.

Durham Cathedral and Castle from The River Wear
Watercolour
Size: size 600 x 400mm
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