Iconic view of the West towers and Cathedral entrance. One of the jewels of Oxford, the Clarendon was designed by Nicholas Hawksmoor and built between 1711 and 1713 to house the Oxford University Press. The building lies adjacent the Sheldonian Theatre which was designed by Hawkmoor's mentor and tutor Sir Christopher Wren. The top of this truncated lane exits onto Palace Green. This distressed facade adds to the charm of one of the many palazzios to be found on the back waters of Venice. I consider this my take on Johannes Vermeer's Girl with a Pearl Earring. We came across this famous North Norfolk structure whilst laying the ground for a commissioned painting of the Anglican Shrine of Our Lady of Walsingham in 2017. However the dramatic sky-scape was inspired by a previous visit, whilst motoring from Ely to Cromer across outherwise featureless open fenland. An apocalyptic storm was brewing some distance away across ploughed fields and I pulled over to enjoy the spectacle and take a few snaps. The billowing clouds had yet to touch the ground and a bright strip of sky formed a band across the horizon. These storms are a feature of the Norfolk landscape and I couldn't resist using what I'd seen to add drama to the Cley painting. I wanted to paint this and the view of Elvet bridge from Prince Bishop's Car Park for ages and only their complexity put me off, though eventually I couldn't resist the challenge. Sadly this delightful 18th Century church is set to be converted into a private dwelling house. I vividly remember childhood expeditions to surreptitiously collect shiny new conkers in the church yard. The church is near to where a claw style green glass beaker dated to the 5th century AD and of Frankish origin, was unearthed from under a hedge in 1775. The area at the time was being worked upon by local landowner Rowland Burdon. The church had been built only a few years earlier and The Beaker as it became to be known, was found with it's base sticking out of the ground by an estate worker. It is held in The British Museum and is evidently the only one of it's kind to be found in England. The majestic Cathedral looms over visitors to the Castle The north facing Cathedral door features an exact replica of the bronze Sanctuary Knocker. The original is normally part of the Cathedral Treasures display but was part of the Royal Academy's 'Bronze' exhibition during 2012. My wife and I came across this bistro while mooching about London early in 2019. It's stunning roof is formed in COR-TEN steel. The thin layer of rust which forms on exposure to the elements, actually protects the steel underneath. We couldn't resist stopping off for a coffee and observing locals playing chess within. It's only my second painting of a London scene, but I greatly enjoyed capturing the reflections in the windows of the surrounding buildings and the transparency of the bistro itself. Short summary of Oxford The north facing Cathedral door features an exact replica of the bronze Sanctuary Knocker. The original is normally part of the Cathedral Treasures display but was part of the Royal Academy's 'Bronze' exhibition during 2012. The principal route to Palace Green and the Cathedral for vehicular and foot traffic.

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

This giant water wheel is part of the Killhope Lead Mining Museum located in the North Pennines area of County Durham. At one time in the late 19th century, the mine was one of the most productive in Britain. Little did my patron realise when commissioning the painting, that in another life, I was responsible for designing and overseeing the construction of the museum's visitor centre.

Killhope Wheel
Watercolour
Size: size 595 x 352mm
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This the Second of the Villa Cimbrone paintings depicts the Temple of Ceres leading to the Belvedere or so called Terrace of Infinity which has magnificent views of the Amalfi coast.

Villa Cimbrone, Ravello, Italy.
Watercolour
Size: size 440 x 290mm
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