Bow Lane is reputed to be the route that William the Conqueror took when leaving the city after visiting the coffin of Saint Cuthbert in Durham Cathedral. At that time it lead down to a ford across the River Wear, but now leads to Kingsgate Bridge, a superbly elegant concrete structure designed by Ove Arup and completed in 1963. Commissioned to celebrate the retirement of a close friend, the magnificent Rose Window with Dun Cow Lane in the middle distance. San Giorgio Maggiore the 16th century Benedictine Basilica is viewed from one of the numerous gondola stations serving tourists visiting Piazza San Marco. The church was designed by Andrea Palladio, and built between 1566 and 1610 in the classical renaissance style. This church with it's Romanesque tower dating back to the 13th century, sits at the highest elevation in the village. The covered seating gives shelter and great views down the coast to Teesport to the weary traveller. The magnificent central tower is 218 feet in height and here set against a darkened evening winter sky. The north facing Cathedral door features an exact replica of the bronze Sanctuary Knocker. The original is normally part of the Cathedral Treasures display but was part of the Royal Academy's 'Bronze' exhibition during 2012. The majestic Cathedral looms over visitors to the Castle This lovely church lies on the opposite bank of the River Wear to Durham Cathedral which can be viewed from this spot during winter months. 16thc Horden Hall looms over the once thriving farm buildings. The Cathedral on a glittering winters day as viewed from The College Membership of the Historic Houses Association does have it's benefits when you've nothing to do over a long weekend. The ancestral home of the Barnard family captured my imagination on a visit in 2017 and I could hardly wait to get it on paper once home. I enjoy replicating the pattern of shadows in strong sunlight. Looking up as I always do when walking around a great city, this otherwise ignored facade captured my imagination and became one of two shortlisted in the 2016 Sunday Times Watercolour Competition. Stunning baroque architecture meets the eye around every corner in the beautiful city of Verona. I wanted to paint this view of Elvet bridge from Prince Bishop's Car Park for ages and only it's complexity put me off, though eventually I couldn't resist the challenge.

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

The view of the Cathedral most often overlooked by tourists and visitors.

Durham Cathedral from College Green
Watercolour
Size:
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The ancient water tower is in the foreground with the arched entrance to the Choristers School behind.

The College
Sepia watercolour over black ink.
Size: 395 x 285 mm, 610 x 495 mm o/a.
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