The River Wear slides slowly bye rowing club pontoons whilst wood smoke curls upwards from burning logs. I've always loved the view up Owengate with The Cathedral in the distance and as such have been drawn to paint it on a number of occasions. Most observers don't even notice the tree near to the junction with North Bailey and Saddler Street but I see it as almost a curtain pulled aside to reveal the view beyond. The Cathedral Central Tower can be seen behind the Church of St Mary's The Less which was founded in 1140 and was principally for the soldiers of the garrison which manned the city walls. The north facing Cathedral door features an exact replica of the bronze Sanctuary Knocker. The original is normally part of the Cathedral Treasures display but was part of the Royal Academy's 'Bronze' exhibition during 2012. A meeting place for locals, tourists and bikers alike, the square which is surrounded with a pleasing mix of architectural styles, is the hub of this thriving Swaledale market town. This the third of the Villa Cimbrone paintings depicts a sunny hidden cloister with charming twisted columns. I wanted to paint this view of Elvet bridge from Prince Bishop's Car Park for ages and only it's complexity put me off, though eventually I couldn't resist the challenge. One of my very rare forays into portraiture. The centerpiece of this beautiful square is this fountain built in 1368 by Cansigorio della Scala, which is surmounted by a statue called Madonna Verona. The statue is in fact Roman dating to 380 AD. The Chorister School is situated within The College on the East side of the Cathedral. The School celebrated it's 600th anniversary in 2016 and this painting was commissioned by the then head teacher Yvette Day to mark the event and hangs in the main hall. The north facing Cathedral door features an exact replica of the bronze Sanctuary Knocker which is normally part of the Cathedral Treasures display but is currently part of the Royal Academy's 'Bronze' exhibition which will run until December 8th. Stuart was shortlisted in the 2013 Sunday Times Watercolour Competition for this painting depicting a violent storm breaking over Cromer pier Norfolk. During the storm 'day became night' and Stuart and his wife Anne were soaked through to the skin in the deluge of rain.

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

The attic bedroom of Charles Paget Wade an extraordinary man with a passion for collecting. Let nothing perish was his motto which but hints at a life dedicated to finding and restoring beautiful objects whether common or extraordinary. He packed these into the Cotswold manor house which he bought and renovated for the purpose. From toys, Samurai armour, musical instruments to fine clocks, thousands of treasures are still exhibited just as Mr Wade intended.

The Collector's Retreat, Snowshill Manor (Nat' Trust).
watercolour (overall frame size 1030 mm x 780 mm high)
Size:
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The University Library had a major refit before exhibiting The Lindisfarne Gospels to great public acclaim in 2013.

Durham University Library Entrance.
Sepia watercolour over black ink.
Size: 400 x 285 mm, 610 x 495 mm o/a.
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