My wife and I came across this bistro while mooching about London early in 2019. It's stunning roof is formed in COR-TEN steel. The thin layer of rust which forms on exposure to the elements, actually protects the steel underneath. We couldn't resist stopping off for a coffee and observing locals playing chess within. It's only my second painting of a London scene, but I greatly enjoyed capturing the reflections in the windows of the surrounding buildings and the transparency of the bistro itself. We came across this famous North Norfolk structure whilst laying the ground for a commissioned painting of the Anglican Shrine of Our Lady of Walsingham in 2017. However the dramatic sky-scape was inspired by a previous visit, whilst motoring from Ely to Cromer across outherwise featureless open fenland. An apocalyptic storm was brewing some distance away across ploughed fields and I pulled over to enjoy the spectacle and take a few snaps. The billowing clouds had yet to touch the ground and a bright strip of sky formed a band across the horizon. These storms are a feature of the Norfolk landscape and I couldn't resist using what I'd seen to add drama to the Cley painting. This distressed facade adds to the charm of one of the many palazzios to be found on the back waters of Venice. The most picturesque route between the centre of Historic Bath and the nearby district of Batheaston, can be enjoyed via the River Avon and this little water taxi. I remember as a small child seeing young calves with noses pressed hard against the red painted slats and my dad demonstrating how they would suckle if offered fingers instead of teats. I can't remember if I was brave enough to take up the challenge, but the event stuck in my mind. Sheep take shelter on this coastal County Durham farm. This is the wonderful view with our backs to the door of St Marti Sacosta. It gave immense pleasure to paint the ancient and somewhat crumbling stonework to the buildings either side of the steps and the people enjoying lunch at the restaurant below. The granddaughter of a close friend. Commissioned to celebrate the retirement of a close friend, the magnificent Rose Window with Dun Cow Lane in the middle distance. This former palace, situated on the hill below Prague Castle, is now the Italian Embassy. The painting is one of two shortlisted in the 2016 Sunday Times Watercolour Competition. This commissioned painting was produced to commemorate the passing of a Durham man who's ashes were deposited in the river in 2019. The picturesque Old Mill Hotel stands adjacent to Bathampton Toll Bridge on the River Avon 3 miles from Bath. The bridge is one of only a handfull still operational in the country. I enjoy replicating the pattern of shadows in strong sunlight. The ancient medieval arched entrance to The College, an area on the south side of the Cathedral which is the home of the Cathedral clergy and the Chorister School. The ancient medieval arched entrance to the College an area behind the Cathedral which is the home of the clergy and the Chorister School. The staircase to the Cathedral Chapter Office can just be made out in the shadows of the passage in the centre of view which also leads to the Cathedral workshops. Part of the 2014 Durham Cathedral Exhibition.

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

A homàge to Pieter Bruegel the Elder's The Wedding Feast, this painting is loosely based upon the National Trust's Stourhead Estate in Wiltshire.

Bruegel's Piper
Watercolour
Size: 400mm x 300mm
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Looking up as I always do when walking around a great city, this otherwise ignored facade captured my imagination and became one of two shortlisted in the 2016 Sunday Times Watercolour Competition.

Facade on Wenceslas Square Prague.
Watercolour
Size: 300 x 400mm.
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