My wife and I celebrated a recent wedding anniversary with a river trip to see the Thames Barrier. On our way, I was fascinated by the relationship between these two iconic structures. I've always loved the view up Owengate with The Cathedral in the distance and as such have been drawn to paint it on a number of occasions. Most observers don't even notice the tree near to the junction with North Bailey and Saddler Street but I see it as almost a curtain pulled aside to reveal the view beyond. The University Library had a major refit before exhibiting The Lindisfarne Gospels to great public acclaim in 2013. A Cornish fishing village, Mevagissey now derives most of it's income from tourism. The brightly coloured vessels in it's harbour, the narrow winding streets and the stunning coastline being the obvious attractions. A homàge to Pieter Bruegel the Elder's The Wedding Feast, this painting is loosely based upon the National Trust's Stourhead Estate in Wiltshire. This is the wonderful view with our backs to the door of St Marti Sacosta. It gave immense pleasure to paint the ancient and somewhat crumbling stonework to the buildings either side of the steps and the people enjoying lunch at the restaurant below. This interesting bay window faces onto Palace Green. I consider this my take on Johannes Vermeer's Girl with a Pearl Earring. The Cathdral from College Green, an area behind Durham Cathedral mostly overlooked by tourists and home to the Cathedral clergy. I was fascinated by this giant mechanism during a trip up the Thames in 2019. Stuart was shortlisted in the 2013 Sunday Times Watercolour Competition for this painting depicting a violent storm breaking over Cromer pier Norfolk. During the storm 'day became night' and Stuart and his wife Anne were soaked through to the skin in the deluge of rain. A beautiful day relaxing on College Green The north facing Cathedral door features an exact replica of the bronze Sanctuary Knocker. The original is normally part of the Cathedral Treasures display but was part of the Royal Academy's 'Bronze' exhibition during 2012. Crossing the river Avon, Pulteney bridge designed by Robert Adam was completed in 1773. It is one of only four bridges in the world having shops across the full span on either side of the bridge thoroughfare. This commissioned painting was produced to commemorate the passing of a Durham man who's ashes were deposited in the river in 2019.

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

In reality this view is obscured by trees. The towers of the north transept would therefore not be visible without the judicious application of 'Artistic Licence'.

The Rose Window Durham Cathedral
Sepia watercolour over black ink.
Size: 395 x 290 mm, 610 x 495 mm o/a.
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This commissioned painting was produced to commemorate the passing of a Durham man who's ashes were deposited in the river in 2019.

Durham Cathedral from the River Wear
Watercolour
Size: 490mm x 325mm
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