This pine wood forms the backdrop to the artist's garden. We came across this famous North Norfolk structure whilst laying the ground for a commissioned painting of the Anglican Shrine of Our Lady of Walsingham in 2017. However the dramatic sky-scape was inspired by a previous visit, whilst motoring from Ely to Cromer across outherwise featureless open fenland. An apocalyptic storm was brewing some distance away across ploughed fields and I pulled over to enjoy the spectacle and take a few snaps. The billowing clouds had yet to touch the ground and a bright strip of sky formed a band across the horizon. These storms are a feature of the Norfolk landscape and I couldn't resist using what I'd seen to add drama to the Cley painting. I remember as a small child seeing young calves with noses pressed hard against the red painted slats and my dad demonstrating how they would suckle if offered fingers instead of teats. I can't remember if I was brave enough to take up the challenge, but the event stuck in my mind. I wanted to paint this view of Elvet bridge from Prince Bishop's Car Park for ages and only it's complexity put me off, though eventually I couldn't resist the challenge. This ancient water tower is situated in the College precinct between the Chorister School and former Cathedral Kitchen. The Baroque Church commonly known as Gesuiti was is said to be the work of Giovanni Battista Fattoretto, probably to a design by Domenico Rossi and was constructed on the orders of the aristocratic Manin family between 1715 and 1730. Stuart was shortlisted in the 2013 Sunday Times Watercolour Competition for this painting depicting a violent storm breaking over Cromer pier Norfolk. During the storm 'day became night' and Stuart and his wife Anne were soaked through to the skin in the deluge of rain. This Venetian church which lies in the cestiere Cannaregio was founded in the 10th century. Part of the 2014 Durham Cathedral exhibition. I wanted to paint this and the view of Elvet bridge from Prince Bishop's Car Park for ages and only their complexity put me off, though eventually I couldn't resist the challenge. This commissioned painting was produced to commemorate the passing of a Durham man who's ashes were deposited in the river in 2019. This the third of the Villa Cimbrone paintings depicts a sunny hidden cloister with charming twisted columns. The entrance to College Green, an area behind Durham Cathedral mostly overlooked by tourists. A meeting place for locals, tourists and bikers alike, the square which is surrounded with a pleasing mix of architectural styles, is the hub of this thriving Swaledale market town. A scene reminiscent of Jan Bruegel's famous Hunters in The Snow. One of my all time favourite paintings.

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

The Avon water taxi stop at Batheaston Mill is a favoured spot for fly fishing. Described by the famous 18th century author Horace Walpole in a letter to George Montague, 'the Avon falling in a wide cascade' it is little changed.

The Avon at Batheaston
Watercolour
Size: 400mm x 300mm
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The medieval Elvet bridge built in 1160 by Bishop Hugh de Puiset.

Elvet Bridge, Durham City
Sepia watercolour over black ink.
Size:
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